To sell out or not to sell out? Not really much of a question. After its budget is slashed, the drama department turns to Shakespeare’s greatest tragedy to raise cash, but it’s not tickets that are going to fund this year’s show: It’s sweet, sweet corporate sponsorship, product placement, and commercial advertising in the middle of the play. Each of the new corporate sponsors demands changes in the stodgy old script, but who cares if Shakespeare never wrote musical numbers, had a talking sword, or post-apocalyptic zombie battles? He’s dead and he can't complain. Or sue. A lightning-quick, hilarious perversion of the greatest play in the English language.